That might sound like an easy task for an actor but it’s a little more difficult than it sounds, especially with the type of dialogue used in this particular production. Taylor said the biggest challenge has been the actors learning their lines.

Rehearsals began in mid-April and Taylor feels the production is going smoothly heading toward opening night on June 13. This advertisement has not loaded yet, but your article continues below. “I have such a wonderful bunch of actors, that they can go all the way and they can take the notes to pull it back somewhat. Actors who enjoy comedy, they will go as far as they can, expecting the director to pull them back somewhat,” said Taylor. Is mastering the different types of comedy a difficult skill for actors to grasp? You can push the envelope, to the edge of slapstick, but then you pull it back.” You have to keep it in the boundaries of farce. “There is a difference - you have comedy and then there’s farce, which takes it further, and then there’s slapstick, which goes even further. The actors, in an effort to get the biggest laughs possible, can’t resort to going over the top with their portrayals. With that being said, farce needs to be done well to be enjoyable. When a personal bet is made on an upcoming tournament, a number of twists and turns, along with mistaken identities and outrageous romantic hijinks, result in a wacky adventure. The production tells the story of a group of members at a private country club that is locked in a fierce rivalry with another club. “And yes, it definitely sets the tone for the play.” “I would absolutely agree with that statement,” she said with a laugh. The statement certainly grabbed the attention of Jean Taylor, the director of the production.

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